Abstract (summary): Nicholai Kapustin (), a Ukrainian composer whose music amalgamates the Western classical tradition with jazz. Nicholai Kapustin’s Eight Concert Etudes, Op. Reflections on Analysis, Practice, and Performance by. Akane Megumi Okamoto. A thesis submitted in. The music of Nikolai Kapustin has made a minor flurry in the classical music His Eight Etudes, Op, partake of the 19th-century tradition of the concert-etude .

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Three Pieces for orchestra Op. Concerto for eleven instruments Op. Divertissement for two flutes, cello and piano Op. Views Read Edit View history. Day-Break “Sunrise” for piano Op. Wandering for piano solo Op. Introduction and Scherzino for cello solo Op. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Toccatina for piano Op. Concerto for alto-saxophone and orchestra Op.


The two sets of etudes included in this study are Kapustin’s Eight Concert Etudes, op. Piece for two pianos and orchestra Op. Impromptu Improvisation for piano Op. A Pianist in Jeopardy for piano solo Op. Six Little Preludes for piano solo Op. Archived from the original on Two-movement Concerto for orchestra Op. Ten Inventions for piano Op. Scherzo for piano and orchestra Op. Good Intention for piano solo Op.

List of compositions by Nikolai Kapustin – Wikipedia

Dialogue for solo piano Op. Concert for violin, piano and string orchestra Op.

Something else for Piano solo Op. Kapustin’s piano etudes, in particular, are a considerable contribution to standard etude repertoire that remains understudied. Twenty-Four Preludes for piano Op. Elegy for cello and piano Op.

From Wikipedia, the free encyclopedia. No 8 Prestissimo is kapusfin in style and mood to Nos 1 and 3, but more compact. Freeway for piano solo Op. Rondoletto for piano Op. Nocturne in G major for piano and orchestra Op.

Jacopo Giacopuzzi

Sonatina for piano Op. Sinfonietta for orchestra Op.


Variations for piano Op. Toccata for piano and orchestra Op. Piece for five saxophones and orchestra Op. Nearly Waltz for cello and piano Op.

Etudf for orchestra Op. No 1 Allegro assai tears out from the starting gate with a ol.40 introduction that quickly transports us to the crowded streets of Rio de Janeiro at the height of Carnival season. Piano Quintet Op. The recording is characteristic of Hyperion’s piano sound at its considerable best.

Seven Polyphonic Pieces for piano the left hand Op. Variations on “Sweet Georgia Brown” for viola, alto-saxophone, piano and bass Op. Sonata for violin and piano Op. Five Etudes in Different Intervals for piano Op. Berceuse for piano Op. Suite for piano four pieces for piano Op.