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La masa cerrada renuncia al crecimiento y se concentra en su permanencia, se establece y crea su lugar para limitarse, crea su propio espacio protegido y vigilado de las influencias externas. I then danho a number of dspues criticisms made by Margolis of Danto.

Request removal from index. Log In Sign Up. Edit this record Mark as duplicate Export citation Find it on Scholar Request removal from index Translate to english Revision history. Eso es exactamente lo que ocurre en la masa.

O vin e os mundos da arte de Arthur C. However, his theory is based on the notion of artistic identification, itself dependent on a non-naturalistic conception of the functioning of neural processes that I reject. In the first part of this contribution, I investigate some general theoretical issues concerning this kind of attitude.

This entry has no external links. Continuing my critique of Danto, I turn to Nick Zangwill, who accepts intentionality as desupes essence of art, but criticizes the role played by the public, another decisive point in Danto’s theory. Estetiche della crisi da Hegel al pictorial turn”, a cura di G. In the second part, I discuss three contemporary authors that try to interpret the relevance of Hegel’s Philosophy of Art for the present.

Arthur C. Danto

Michele di Monte – – Rivista di Estetica 47 In addition, difficulties arise when trying to specify the motivations that drive artistic activity in the conceptual theories of Danto and Zangwill. Science Logic and Mathematics.


Gethmann-Siefert, “Danto e Hegel sulla fine dell’arte: Dal mondo dell’arte al arthud delle ombre e ritorno. Sincronia di alternative tra Danto e Belting.

Despues Del Fin Del Arte – Arthur C. Danto • BookLikes (ISBN)

Rakovszky ZsuzsaHolmi,3. Because two perceptually identical objects may have radically different statuses, it would seem that aesthetic properties do not play a prominent role in art. Starting with Danto’s theory, I outline his conception, based on the case of indiscernible pairs of objects. It does not address whether or not Hegeli-an Philosophy of Art is or can be relevant for the present, but instead addresses the very problem of its relevance.

I advocate for the naturalization of several concepts important to art theory, including the notion of identification. Las paradojas de Arthur Danto. Danto y el fin del arte. Il capolavoro soprasensibile di Arthur Danto. Incorpora a todos los que se pongan a su alcance. En el tumulto, en cambio, se derriban todas las distancias. Enter the despuex address you signed up with and we’ll email you a despuez link. I stress the importance of maintaining the strong point of these relational theories, namely their consideration of intentionality.

Reality exists by the will of the sign, the benchmark exists because there is a sign that invokes it.

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Arthur Danto. Filosofia dell’arte e attività critica

I investigate the meaning, the modalities, the limits, and the potentialities of the intellectual challenge of finding this art-philosophical thought relevant for the contemporary age. Dirk Koppelberg – – Rivista di Estetica 47 Arthur Danto, Maya Lin e la bellezza interna.


Endi Vorhol i kraj istorije umetnosti. Simulation, image, sign, end of art, seduction, aesthetics, post-history. I maintain that an evolutionary approach would have the advantage of agte possible solutions as to the interest we take in artistic activity, by relating it to our living conditions. The text researches Arthur C.

It does not address whether or not Hegeli-an Philosophy of Art is or can be relevant for the present, but instead addresses the very However, the study raises a question whether it could be understood rather as Con la misma rapidez que surge, la masa se desintegra. Lo real existe por voluntad del signo, el referente existe porque hay un signo que lo invoca.

Despues del fin del arte deespues Arthur Danto. I stress the importance of maintaining the strong point of these relational theories, namely their Skip to main content. However, this autonomy is based on a principled argument of which he provides no empirical evidence, and which remains vulnerable to a certain type of sociological argument put forward by Fowler.

Danto reacts against this tendency, and he proposes since his early writings the search of a definition of art, This article summarizes this discussion in contemporary philosophy, then shows Danto’s controversial position as an essencialist and, finally explains the definition of art reached by this philosopher. Reviving Analytical Philosophy of History. Tak pravil Arthur C. In the contemporary aesthetics, particularly in the analityc context, there is a strong preeminence of an anti-essencialist tendency in relation drl the posibility of a definition of art.