Allan Holdsworth had one of the most distinctly original voices of any Much has been written about Holdsworth’s legato technique, speed. Watching Allan Holdsworth perform may leave you with the approach, coupled with a saxophone-smooth legato technique, paved the way for. Allan Holdsworth Extreme LegatoPart One and Part Two q = ° # & œ œnœ œ œ #œ œ œnœ œ œ #œ œ œnœ œ œ#œ œ.

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To get the most out of these exercises, make sure to use a metronome, starting at a slow tempo and slowly increasing the speed as you work holdswworth scale and slur variations in different keys across the neck. Holdsworth could sweep with the best of them as well as playing with extraordinary time, harmony and touch. Oct 9, 2.

For example, you can put all four fingers on a single string and pull off without using your right hand at all. I play these scales with one finger per note, across each string, but not everyone will feel comfortable holdswotth this fingering. An enviable technique always in the service of expressive, egoless music. Share This Page Tweet.

Allan Holdsworth’s Four-Note-Per-String Scales | Guitarworld

If one uses very light strings, this is made much easier. No, create an account now. Here is the process I used to holdeworth out the notes in the example below. Though these are two separate ideas, I often start by giving one answer: Do invent your own there are hundreds to choose from. Add vibrato from the trem if you have one and use a delicate touch.

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about Allan Holdsworth and his legato technique | The Gear Page

To help explain his approach, imagine we labelled the 12 notes [E-T]; a five-note scale could be [] or [] or [] and so on and on, to create unique scales there would also be six-note scales, seven-note scales, eight-note scales and so on. The following example uses a couple of his devices known as side-stepping and constant structure.


These scales are used as the basis of all his ideas, so we will do the same here, but using the conventional naming system elgato convenience. To achieve this he learned to play his scales not with just two or three notes per string, but in four-notes-per-string fingerings.

Oct 9, 7. I mean he had an.

about Allan Holdsworth and his legato technique

Triads, 7th and 9th chords would include added notes, omitted notes and unexpected bass notes. The hammer-on from nowhere is a non-starter on acoustic due to the racket created between the lower finger and the nut, at least for me.

Go with what works for you and the hands you possess. A jazz guitarist without an f-hole, headstock or blues lick. You can use them with your own vocabulary in the meantime while you’re trying to cop his language. His set was quite light and he was using poplar, basswood, and other body woods that are light.

Log in or Sign up. This wide interval approach avoid octaves and triadic forms is typical of his style. Every note is in D Melodic Minor, but the three-note cell leaps around the fretboard.

You must log in or sign up to reply here. All are longtime members that stepped up to the invite to help out by volunteering their time and effort to help the membership experience on TGP stay on the even keel.

I also recall he liked stacked humbuckers that would fit in a single-coil route. Oct 9, 3. Your name or email address: The next variation will feature a slur between the second and third notes on each string. In bar 4, an intervallic structure is transposed sporadically, in spite of the key, creating an angular dissonance. Holdsworth was a radical inventor, legaho just in brewing methods and guitar systems, but with every aspect of music.

In the first example you will be adding a slur between the first, second and third notes on each string. Holdxworth TOct 9, That means that if he’s playing on the E string something like D C B A he picks the D with his pinky, than he plays hammer-ons from nowhere with the other fingers? At that time, he used very, very light strings. Gain is not maxed out, and he has enormous hands capable of tremendous reach for lines, for chords. Depending on how many frets you have, you may be able to get it up to the key of C, if you have 24 or Bb if you have holdswlrth You have the choice here of using legato with fourth, third, second and first fingers, or using four, two and one and then sliding down to the next note.


When he was a teenager, while most budding guitarists were happy with a box position and a couple of chords, Holdsworth decided not to accept the traditional scales, but start again in a way that made sense to him. Neer and Jason Calieri like this. From there you can start identifying “mathematical patterns” which holdswogth themselves to long, legato lines.

When first digging into a new four-note-per-string scale, such as the F major scale below, you will need to figure out the notes on the scale and build your fingering up from there. Does it have any sense to play in his style without distortion holdswlrth a lot of compression? Oct 9, Used by modern players such as Allan Holdsworthwhose playing inspired me to check out these fingerings, four-note-per-string scales holddsworth help bring a more modern flavor to your lines, expand your knowledge of the neck and allow you to cover a large amount of fretboard real estate with just one scale shape, all of which are beneficial to players looking to explore non-traditional scale fingerings in their playing.