Bernhard Heinrich Romberg (November 13, – August 13, ), was a German cellist 1 in B-flat Major, for cello and orchestra; Opus 3, Grand Concerto No. Opus 14, Airs Russes for cello and orchestra; Opus 17, Flute concerto in B minor (Also published as opus 30); Opus 18, Variations et Rondo in E-flat Major for. Buy Concerto for Flute Op. Score () by ROMBERG, B at Orchestra Sheet Music. Romberg, Bernhard Heinrich. Ed. John WionPublished by. Get this from a library! Concerto for flute and orchestra, opus [Bernhard Romberg; John Wion; Elaine Baker, (Pianist)].

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Romberg, Bernhard

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Privacy Policy Terms and Conditions. The opening theme A is a folk-like melody over a pesante orchestral accompaniment. After one phrase into the B theme, Romberg once again interrupts with a fermata, although this is followed by composed brief embellishment in the flute line.

Concerto for Flute and Orchestra in B minor, Op. You may have already requested this item. The return of the A theme is not exact at all. Allow this favorite library to be seen by others Keep this favorite library private.

A return to duple grouping provides the transition to the return of the A theme. This is reminiscent of the bravura style repertoire of Friedrich Kuhlau and Jean-Louis Tulou that was beginning to populate the flute music canon at that time.

He clearly understood some of the idiomatic requirements of wind writing. The B and C sections are successively more technically challenging.

Bernhard Romberg – Wikipedia

Please enter your name. Romberg makes reference to its opening motive but soon after offers new virtuosic passages. Here the performer would be best suited to emphasize the half note rather than the quarter as the phrasing is very broad. Find a copy in the library Finding libraries that hold this item Please enter recipient e-mail address es.


Advanced Search Find a Library. Retrieved from ” https: The conclusion of this section, almost identical to its counterpart in the Exposition except without the fermatas, leads to the Recapitulation.

Romberg was born in Dinklage.

Write a review Rate this item: Concerto for flute and orchestra, opus 17 Author: This work is a good example of the transition in this genre from the solo-orchestra alteration of new material and familiar themes to the concerto as a vehicle to showcase the prowess of a polished performer with the cincerto for support. Subjects Concertos Flute — Solo with piano.

Retrieved 18 March However, Romberg does not simply write string music for the flute, as was a common approach. This is a seven-part Rondo, which is a bit unusual. If you continue to use this site we will assume that you are happy with it. As compared with the overall duple groups in the A theme, the B section theme contrasts with an exploration of triplet rhythms in sixteenth notes, allowing for longer chromatic scales. However, formatting rules can vary widely between applications and fields of interest or study.

November — d. His father, Anton Romberg, played the bassoon and cello and gave Bernhard his first cello lessons. Don’t have an account? He lengthened the cello’s fingerboard and flattened the side under the C string, thus giving it more freedom to vibrate. Romberg is responsible for simplifying cello notation to only three clefsthe bass clefthe tenor clef and the treble clef.

Innovations in cello technique introduced by Romberg include minimizing the then wide variety of clef possibilities to the now standard bass, tenor and treble as well as designing modifications to the instrument to facilitate technique. The third movement, a Rondo Allegrettois a delight and a dazzling display of technical prowess for the solo flute. More like this Similar Items.


Concerto for flute and orchestra, opus 17 (Musical score, ) []

Your Web browser is not enabled for JavaScript. This was the same number assigned to one of his cello concertos, and it appears that Opus 17 was the composer’s designation for the flute concerto”–Page 2 of cover. However, Romberg had difficulty understanding some of Beethoven’s musical ideas, and rejected Beethoven’s offer of a cello concerto for him, saying that he primarily performed his own compositions.

The second theme of the exposition opens with a set of fast triplet passages that descend, in contrast with the ascending fanfare of the A theme.

The name field is required. His virtuosity is displayed in his compositional style. We use cookies to ensure that we give you the best experience on our website. In the Flute Concerto he illustrates familiarity with the newly emerging virtuoso writing for violin, possibly due to the direction of one of his teachers, and winds, likely due to the influence of his brothers Anton, a bassoonist and Gerhard, a clarinetist.

Flute Quintet in G Major 1. The section then develops further to a display of scale and arpeggio patterns across a variety of rhythmic groupings. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. Reviews User-contributed reviews Add a review and share your thoughts with other readers.

German classical cellists German composers births deaths String quartet composers.